Pick ‘Em: Value of The Humanities

The number of college students choosing to major in humanities has been declining significantly over the past decade. The Academy of Arts and Sciences analysis of education data found that humanities degrees have fallen to the lowest levels on record since 1948.  Between 2012-2014 alone, there was an 8.7% decline in core humanities degrees. This downward trend has been attributed to various sources ranging from increasingly evolving STEM fields, post-Recession job insecurity, and skyrocketing tuition costs and student loan debt. Yet a chorus of education experts, debt-ridden graduates, and even professionals without degrees say that despite their decreasing popularity, high school students debating college or college freshman shouldn’t assume that humanities are an irresponsible choice professionally or financially. 

“We know that those with [any] college degrees, including humanities, earn more in their lifetime, they live longer, and they’re statistically happier,” says Phil Grant, a Ph.D candidate in Education Policy at the Carl Vinson Institute. 

The term “humanities” traditionally brings to mind the core of English, history, linguistics and similar majors. Yet even by the broadest definitions of humanities that include art, religion, and gender studies, humanities have still hit an all-time low of just 9.9% of all bachelor’s degrees awarded. 

Jack and Jenna Photography was founded in 2013 with a “huge leap of faith” brought about by desperate circumstances. Jack Cortez, a mostly self-taught amateur photographer since high school, studied Cinematography at the Savannah College of Art and Design for one year. He accrued $13,000 in student debt before dropping out in 2012, in part because of financial difficulties. Jack worked odd construction jobs until an injury left him out of work. Struggling to survive on his girlfriend, Jenna Hall’s, income alone, they decided to pursue wedding photography together. Jenna saved up tip money from her waitressing job at the time to buy a camera off Craigslist. 

“Pretty much everything you need to know to run a successful small photography business you can learn, online, for free,” says Jenna. She later quit her waitressing job earlier as their business grew into a two-person, full-time business. 

While you’d be hard-pressed to find a successful engineer working without a degree, fields like art, photography, creative writing and graphic design have a lower barrier to entry for those with self-taught skills and little by way of formal education.

“Literally the first thing I shot I had no idea what I was doing,” says Jenna, who originally obtained a college degree in Education but never worked in the field. In between bookings, Jenna poured over photography manuals, forums, and blogs to master basic technical elements. She joined photography Facebook groups centered around constructive criticism and mentoring.  For the abundance of information on the internet, Jenna admits a degree would have likely made her a more knowledgable and confident photographer. She ‘lucked out’ with her partner Jack, who she credits as taking on a mentor role with her, filling in the gap of formal education. She considers herself even more lucky to discover that, beyond financial security, she’s actually truly passionate about her art. 

And experts say the heavily cited lower employment rates after graduation for humanities majors may be overstated, with humanities majors generally facing only 2-3% higher rates of unemployment. 

Another factor that isn’t discussed enough, particularly to low-income students who may be more avoidant of the humanities because of their perceived risk, is the flexibility of employment options for humanities majors, according to Phil Grant. 

Andrew Schwegler is a graphic designer and a computer programmer based in Atlanta. His degree from the University of Georgia, however, is in political science. His obsession with graphic design and programming began in middle school, and in college he found himself designing websites for organizations like the Phi Kappa Literary Society at UGA. 

Schwegler admits he has regrets about obtaining a degree in political science given his current position. In fact, he wishes he’d gone with what he loved, and studied English – a major with one of the steepest declines even within the humanities. In his position at the (now-defunct) Blink! Media years ago, he was told they see humanities as invaluable, because they teach you how to think independently and creatively. 

And yet, eschewing humanities degrees means avoiding tuition costs and the average $35,000 of debt per undergraduate nationally. Just one year of tuition at a private college like the humanities-heavy Savannah College of Art and Design will cost you over $35,000. 

Megan McCranie spent six years regretting her Art History undergraduate degree from the University of Georgia. She graduated with little direction and few tools to secure a job she was passionate about. After six years as an administrative assistant at an architectural engineering firm, she went back to SCAD for graphic design. 

A closer look at the numbers shows that the much-cited income gaps between humanities and STEM degree holders is actually around $7,000 for similar levels of education. This income gap narrows with advanced degrees.

McCranie is quick to admit her $60,000 of student debt from SCAD is a ‘huge financial burden’. Still, she credits SCAD with being able to nail her dream job as a graphic designer at Coca-Cola straight after graduation. 

SCAD boasts an employment rate of 91% for graduates. Though only 65% of students will actually complete a degree within six years, Jack Cortez hypothesizes the low graduation rate may be students who are recruited while still in school off the strength of their portfolios. Coca-Cola and other companies regularly visit SCAD to view student portfolios and recruit new employees. McCranie says her experience of being recruited for a position wouldn’t have happened without the visibility and reputation of SCAD in the industry. Jack, despite his self-made success, echoes the sentiment in favor of pursuing humanities degrees if financially able. 

“If I had finished out my four years at SCAD in film…there’s no question I probably would’ve had a job right out of school. Just because SCAD is that great of school,” says Jack. 

Atlanta Women In Comedy: Cherith Fuller

Profile Story: Cherith Fuller 
It’s 2012 in Savannah, GA and the bouncer at King’s Inn had a problem. Staring down the female college students before him, brandishing under-21 ID’s, the strip club doorman shook his head and began to deny entry. Cherith Fuller, 19, felt immediate relief. Only a few months into her comedy career, Cherith had excitedly traveled the four hours from Athens, GA alongside fellow comedian Samm Severin, to compete in the contest for a cash prize. Severin had neglected to inform her, however, that the stand-up comedy would take place in a dilapidated strip club on the rougher side of town.

Severin didn’t want to leave so easily. We’re performing tonight, she told the bouncer. He eyed them skeptically. We’re comedians, she clarified. The bouncer waved his hand and they nervously shuffled into the nearly empty club for what Cherith now calls a “nightmare gig.” In between rounds of pole dances, they preformed to an apathetic crowd and angry strippers who heckled them for stealing stage time. 

Four years later, Cherith Fuller’s career has come a long way from the strip club circuit. A mass media arts graduate from UGA, she now works as a production assistant and junior writer/producer at Cartoon Network. She preforms multiple times a month at shows around Atlanta and held the resident comedian position at Laughing Skull Lounge in Atlanta last year, preforming at all the weekend shows. She’s preformed throughout the Southeast’s stand-up comedy scenes, and has traveled to NY and LA on multiple occasions for shows. 

According to Number Crunch, of the 157 stand-up comedy specials on Netflix in early 2016, only 14% were exclusively female performers. This is actually a very slight increase in female comedian on the major streaming platform since 2014. While female stand-up comedians like Amy Schumer have been massively successful in recent years, many still point to a disparity in the number of women entering, and succeeding professionally, in comedy on various levels.

“Sometimes there definitely can be a boys club,” says Fuller, “but it’s not a malicious boys club.” 

Particularly in professional club venues, Fuller believes it’s just a little harder for women, whether it’s getting booked for shows with male headliners or being seen as more than just a female comedian. 

“ I think most of the time the headliners who come through are men, mostly straight white men. So there’s this belief that if you have a male headliner, you want men who are hosting it, featuring in it. So it’s harder for women to get forward in that regard sometimes.” 

Fellow female comedians echoed Fuller’s sentiment on sexism and the “boys club” in many stand-up comedy circles. Severin believes better known female comics in Atlanta, like Cherith and herself, may be shielded from the worst incidences of sexism. The rare predatory behavior tends to be towards newer female comedians, some of whom she believes feel “pushed out” of the scene after inappropriate comments or incidents. Like Fuller, she believes that for the most part male stand-up comedians aren’t purposefully antagonistic towards female comedians. 

Ruthie Lichtenstein, a stand-up comedian who previously lived in Atlanta, cites recent scandals involving date rape druggings at shows in Chicago’s stand-up comedy scene, and the attitudes of male and female comics in the aftermath reluctant to acknowledge issues of assault, as illustrative that problems actually run far deeper than just a mere boys club mentality in stand-up comedy today.

One thing is certain, Cherith Fuller has gain respect from male and female comedians alike for her fearless performance style. Fellow comics describe her as something of a rarity in stand-up today, someone who has both a strong stage persona and sharp writing skills, while most comics tend towards one trait or the other. She’s unafraid to do “crowd work”, or frequently involve the audience in her performances, something that can make even seasoned comics nervous. 

“Cherith definitely had phases – and if you asked her, I think she’d tell you the same thing – where you could hear her doing somebody else’s voice in the beginning. Because that’s what everyone does,” said Walker Smith, a former Athens/Atlanta comedian now based in Chicago, who preformed alongside Cherith at shows for years. Smith said two or three years into Fuller’s career, her comedy completely changed. He credits her rigorous amount of preforming and increased success in Atlanta to her evolution.  “Particularly in Atlanta because she just had more stage time, you could hear her really decide what her show was about. That’s the really cool thing, [getting] to see people find what they’re actually good at. Because it takes so long.” Smith says even though he’s living in Chicago now, he frequently sees videos of Fuller’s comedy making the rounds on social media and the internet.

Cherith hopes to ultimately use her work in stand-up comedy and at Cartoon Network as a launching pad for a successful career as a television comedy writer. Even if she lands her dream job, she plans to continue doing stand-up comedy indefinitely. Lately, she’s been hearing the siren song of New York and Los Angeles, the two destinations any comic seems destined to call home if they’re serious about their craft. 

Using Instagram As Group Therapy: Eating Disorder Recovery Communities on Social Media 

For months, she recreated the same photograph for her hundreds of Instagram followers every night. The same pale hand, grasping the same pastel blue plate, displaying the same five foods she’d eat for dinner – the only five foods left that her eating disorder hadn’t taken from her. Interspersed between bible quotes and silly selfies, Elise* documented on her Instagram account her 20-year battle with the binge eating disorder , which she’s struggled with since the age of six. 

Elise had previously been hospitalized for her eating disorder but unable to recover. She credits the increasingly popular “pro-recovery” community on Instagram with finally giving her the push to enter professional treatment recently. Yet in a paradox echoed by other users, Elise believes the only way to fully recover may be to eventually give up the pro-recovery community. 

 “Pro-anorexia” websites that were particularly common in the early 2000’s have dominated much of the media coverage and public perception of eating disorder communities on social media. Though many still exist, growing awareness eventually led to a backlash, with official policies by platforms like Instagram developed to censor triggering content. Increasingly taking their place, a new wave of social media communities now aimed at supporting recovery from eating disorders, whether with professional help or all on their own. The Instagram hashtag “#edrecovery, just one of dozens that loosely link the community, can tally upwards of 40,000 posts on any given day.  
 
 “I think [social media communities] are an effective way for people to carry out changes and [stop] particularly unhealthy behavior…because of the positive reinforcement you get from other members of the same group,” says Joe Phua, a researcher at the University of Georgia. 
 
Phua has studied how social media communities can help those attempting to abstain from unhealthy behaviors like cigarette smoking. His research has found that participation in online communities centered around abstaining from specific unhealthy behaviors lead to ‘higher self-efficacy’ and success. In findings he believes are relevant to the eating disorder community, it appears that social media communities may also reduce the rates and intensity of relapse into unhealthy behaviors after quitting.

Eventually killing between 5-10% of all sufferers, eating disorders have the highest mortality rate of any psychiatric illness.  The high incidences of relapse among sufferers who were previously treated remains a dangerous reality for those across the full spectrum of eating disorders. Research shows relapse rates of 30-65% even after treatment.  

Linda Buchanan, the director of the Atlanta Center for Eating Disorders, believes these high rates of relapse are actually the result of sufferers never receiving comprehensive treatment or ‘fully recovering’ in the first place. Eating disorder treatment is rarely covered by health insurance except in the most life-threatening cases. Often requiring a combination of treatments like cognitive-behavioral therapy, psychiatric medicine, nutritional counseling, lab monitoring and in-patient stays or hospitalizations, the medical costs can be prohibitively expensive. 

Though eating disorders affect more sufferers in any given year than schizophrenia or breast cancer, they only receive 1/10th and 1/300th, respectively, of funding per individual from the National Institute of Health. Buchanan attributes this lack of funding in part to the social stigma that sufferers are to blame for their illness. The social stigma from the outside world is one of the driving forces behind sufferers seeking out these online eating disorder communities. 

“The support I get is insane, ” says Rachel Worthing, 25, who uses Instagram under the handle Love My Middle. 

Worthing relapsed into her eating disorder in her early 20’s after having been treated for anorexia at 13. This time, it manifested as orthorexia, a lesser-known illness defined by an obsession with perceived health foods and the elimination of other food groups. She says the media’s obsession with clean-eating can normalize disordered eating. Slowly, she spiraled from merely eliminating Coca-cola and artificial sweeteners to eventually being afraid to eat anything. 

Already a few months into recovery, Worthing joined Instagram under the account name LoveMyMiddle. She quickly amassed a large following of 6,000+ members. She thinks her popularity stems from her honesty, in a sea of similar recovery accounts filled with inspiration quotes, she’d rather proudly post pictures of her cellulite and stretch marks.  

Members like Elise and Worthing stress that watching others pursue recovery has encouraged their own recovery efforts. They believe that while still in the throes of their illness, or suffering relapses, venting online has been undoubtedly therapeutic. Yet they, along with eating disorder experts, caution that participating even in pro-recovery communities has the potential to be unhealthy and counterproductive. 

Elise says she avoids hashtags like #fitspo (fit inspiration) that fall under the umbrella of the pro-recovery community but she believes still encourage an obsession with body image and food that often borders on orthorexia. 

Both girls say they regularly have to unfollow pro-recovery accounts that begin posting triggering content seemingly overnight with no warning. Many members will relapse at some point in recovery, but unfortunately most don’t delete their accounts when this happened— rather they begin documenting their downward spiral to the very same followers who sought out the recovery community as a refuge. Worthing says she’s been surprised by the number of popular bloggers who will private message her obsessive questions about her weight, calories, or eating habits, clearly still in the throes of their disorder, yet all the while presenting an inspirational facade of successful recovery to their hundreds or thousands of followers. Experts caution that even in the best circumstances, Instagram’s eating disorder communities may present an unrealistic portrayal of what recovery looks like for an illness that is highly individualized and variant. Though the intentions of users may be good, Elise says the unfortunate paradox of the community is the tendency for users to use it as a crutch for far too long, simply flirting with recovery, when in fact they require intensive, professional treatment offline. 

“You just get a bit absorbed with everything [online] [so that] you’re not really focusing on life. And I think the biggest key to really recovering is getting outside of yourself, and seeing that there’s a world, and people that love you,” Elise says. “There are things that matter beyond the amount of macronutrients you ate in your meal and how many calories you burned on your Fitbit.” 


*No last name for purposes of anonymity. 

Outline

The Things that Carried Him

Part One: Indiana, The End

  • we are introduced to Don Collins
  • detail on Collins’ background
  • he makes his first cut in the grass
  • Collins digs
  • Various funeral goers come in
  • the casket travels
  • civilian motorcycles join
  • Soldiers from Fort Knox
  • Reverend prays
  • Ritual of firing shots
  • Bugler plays
  • details of bugle training
  • quote from Leatherbee
  • quote from Sergeant Chris Bastille
  • Soldiers folded the flag
  • detail on flag folding
  • Brigadier General Belinda Pinckney joins
  • Pinckney tells an anecdote about Missie
  • quote from Pinckney
  • service ends

Interview Postmortem

After reading the two articles, I realized that I could have been more prepared for my audio profile. I knew what general topics I wanted covered, but I did not go in with specific questions ahead of time. Although I think the responses I got from my subject fit into the overall theme, I could have done a better job of thinking in soundbites. I did not know how I was going to cut my sound clips, and I wish that I had stayed quieter in my interview. I spoke in between her words so it sounded more conversational, but I wish that I had stayed quieter and just let her speak until she had nothing less to say. Overall, it ended up working out, but I think a more detailed plan and direction going into the interview would have made for more quality sound clips.